Saturday, 15 September 2012

Weston Frizzell - the BLOCKBUSTERS series

Blurb
Blurb
Namamalarky
Nama Malarky
Couched
Couched
Usandthem
Us and Them
Thonglines
Thonglines
Grocer_with_moko_erased
Grocer with Moko Erased

9127_weston_frizzell_blockbusters

Edition of 50, archival pigment print on Hahnemulle 308 gsm Cotton Rag. Signed by Mike Weston and Otis Frizzell (Weston Frizzell)

Weston Frizzell first conceived the Blockbusters design as an illustration of the title in abstract block typography. A digital mock-up was divided into six equal segments. The six segments are collage style mashup of famous art and brand details. The segments (from left to right) are titled "Blurb", "Nama Malarky", "Couched", "Us and Them", "Thonglines" and "Grocer with Moko Erased". The names of the segments are further clues to the identity of artists being remixed by Weston Frizzell in this piece! Intriguingly the six individual Blockbuster paintings exhibited at the Blockbusters show were simply byproducts of the printmaking process, described by Weston Frizzell as "ancillary artifacts" remaining after the digital artwork was completed. In the vocabulary of street art the term Blockbuster refers to a piece where one word occupies the entire wall. The outlined text is predominantly defined by the blacking out of the gaps and negative space. Parasitic of the underlying work, a BLOCKBUSTER envelopes and consumes the surface. A Blockbuster is also the biggest thing of the summer, the thing everyone has to see.

[[posterous-content:uFmzjmaIcHwvhqItJnED]]

Print size in millimetres: Full A1 Sheet

Edition of 100 large A1 screenprints on Hibrite art stock. Numbered, then signed by all three artists who exhibited - Dick Frizzell, Otis Frizzell and Mike Weston below image.

Unique edition of 100 screenprints to promote the recent Blockbusters exhibition at Saatchi & Saatchi Gallery. Featured new work from Frizzell & Son (Dick Frizzell and Otis Frizzell) and Weston Frizzell (Mike Weston and Otis Frizzell collaboration). This is a screen printed version of the exhibition poster. 

Segaments available at th'ink arts = www.think.net.nz 

Wednesday, 5 September 2012

Bill Hicks - It's just a ride

bill_hicks_-_it's_just_a_ride_480x272.mp4 Watch on Posterous
The world is like a ride in an amusement park. And when you choose to go on it, you think it’s real because that’s how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it’s very brightly coloured and it’s very loud and it’s fun, for a while. Some people have been on the ride for a long time and they begin to question, is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, “Hey – don’t worry, don’t be afraid, ever, because, this is just a ride…”

And we… kill those people.
“Shut him up.”
“We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.”

Just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. But it doesn’t matter because: It’s just a ride. And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one.

Here’s what we can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.